When you speak to a judge, do you stand at the lectern, eyes cast downward, and read from a script in a monotone? No, of course not. To maintain the judge’s attention during your argument, you change the speed and volume of your delivery; you gesture; you extemporize. You do this because you don’t merely want to be heard—you want to persuade. The text matters, but so does the presentation.
So it is on the printed page. The text matters, but if that’s all that mattered, then everything could be set in 12-point Times New Roman. And that would be the equivalent of staring at the lectern.
Typography is always important because presentation is always important. Just like a gesture can punctuate a point in court, good typography can reinforce the meaning of your text. Good typography helps your reader move beyond your words and into your meaning. Conversely, bad typography can mislead your reader and undermine your meaning.
You post a job listing for a junior attorney. If the rest of their resumes are identical, which of these applicants will you interview first?



You don’t need aesthetic judgment to be a good typographer. (It won’t hurt, but you don’t need it.) You just need to be able to identify what your text is trying to accomplish and figure out how to reinforce that message with typography. Steven and Roscoe have a few things to learn.
I love this.
I’d take Roscoe just based on his sweet name.
I’d take Steven Coltrane cos it’s the same type as the A-Team, and I if have a job, and no one else can help, and I can find him, I would hire Steven R Coltrane
[...] ever seen a lawyer’s handwriting?) but upon closer inspection, I found it to be a very clear, well-written piece of information. Very useful not only for lawyers, but for any professional not already familiar with typography [...]
So what type font is Anastasia’s?
Arno
This site keeps amazing me…
Take also a little look at mine. I will do a review of this one here too, there.
Check it out. http://TypeZine.Wordpress.com
Cheers from Portugal
Márcio Guerra
so what font have you used for this site? i.e. for the main body of text? thanks
Mmm, Arno. To me it’s like the Beatles – I know I’ll never get sick of it, but I use it sparingly anyway!
This conversation about fonts always reminds me of the business card scene in American Psycho: http://www.youtube.com/watch?v=qoIvd3zzu4Y
Of course you would always take the one with a ’serious’ font, in the same way you wouldn’t buy an expensive TV from a company that used a ‘fun font’, which are best saved for children’s play barns
Matthew, I’m looking for a font that I’ve seen before on “old school” law firm business cards. I’m not sure but I would say it has an art deco look to it. No serifs, long ascenders and descenders, and a thin or condensed look. Not Futura. Ideas?
Might have been Kabel (not ITC Kabel, an inferior variant), or Metro #2, which are both from the Futura era. Modern fonts that have a similar look are Mr. Eaves and Verlag.
It was Verlag — thanks for your help! But wow, is that font pricey… definitely looking for a suitable alternative.
[...] explained by a typographer turned lawyer. Do not miss the section: “Why is typography important?” “Typography is always important because presentation is always important. Just like a gesture [...]